Imtiaz Kumbhar Profile by Aftab Chandio امتياز ڪنڀر

پروفائيل) ) شاعر امتياز ڪنڀر

ليکڪ : آفتاب احمد چانڊيو

ايم اي (فائنل )

رول نمبر 05

چوندا آھن ته شاعر موتين جي مالھا مثل ھوندو آھي ، ڇو ته شاعر لفظ لفظ کي چونڊي پرکي لکندو آھي سندس چونڊ ھر  لحاظ کان سٺي ۽ منفرد ھوندي آھي،

ان ڪري اھي لفظ انمول ٿي پوندا آھن .جيڪڏھن ڪو تخليقڪار خدا جي ڏنل ڏات کي صحيح رخ ۾ استعمال ڪرڻ کي پنھنجو فرض سمجھي ادا ڪري ٿو ته ان جي اھميت اڃان به وڌي ويندي آھي ،

چيو ويندو آھي ته سنڌ شاعرن ۽ بزرگن جي ڌرتي آھي جتي ڪافي بزرگن ۽ شاعرن جنم ورتو، جنھن ۾ شاھ عبداللطيف ڀٽائي رح،صوفي شاھ عنايت ،سچل سرمست ،چيزل شاھ ،شيخ اياز ، استاد بخاري ۽ ٻيا ڪيترا ئي  شاعر جيڪي سنڌ جي ڪنڊ ڪڙڇ ۾ اڃان به مو جود آھن . جيڪي سنڌ جي سڃاڻ رھيا ۽ اڄ ڏينھن تائين به سنڌ ڀٽائي جي نالي سان سلھاڙيل آھي شاھ عبداللطيف رح  جو ھڪ بيت آھي :

سنڌ سموري سون ،سنڌ سڄي سرھاڻ سنڌ ڀٽائي گھوٽ جي ، سنڌ ڀٽائي ساڻ                                                             موج ڀريو مھراڻ ،سدا وسي سنڌ ۾ .

سنڌ جي مشھور شخصيتن مان ھڪ  مشھور شخصيت شاعر امتياز ڪنڀر پڻ  آھي.جيڪو پنھنجي شاعري ذريعي حب الوطني ،پيار ، ڀائيچاري ۽  محبت سان گڏ گذارڻ جو پيغام ڏئي ٿو .                                                                          

  شاعر امتياز ڪنڀر1990_4_3ع ۾ ڳوٺ خيجراڙي صالح محمد شاھ عمرڪوٽ ۾ پيدا ٿيو .

شاعر امتياز ڪنڀر پنھنجي ابتدائي تعليم سندس ڳوٺ مان حاصل ڪئي ،ميٽرڪ گورنمينٽ ھاءِ اسڪول نمبر ٽو مان ڪرڻ کان پوءِ  ( بي ، اي ) گورنمينٽ بوائز ڊگري ڪاليج عمر ڪوٽ ،جنھن کان پوءِ (ايم اي ) سنڌي ڊيپارٽمينٽ، سنڌ يونيورسٽي

ڄام شورو مان تعليم حاصل ڪئي .

شاعر امتياز ڪنڀر ننڍي ھوندي کان ئي شاعري ڪندو ھيو ،ڇو ته شاعري قدرت جي طرفان ڏنل ھڪ تحفو يا قدرتي ڏات ھوندي آھي جيڪا ڪنھن ڪنھن انسان جي رت ۾ شامل ھوندي آھي .

شاعر امتياز ڪنڀر شاعري جي باقائدا شروعات 2005ع کان شروع ڪئي .

شاعر امتياز ڪنڀر سنڌي ،سرائڪي ، مارواڙي ، ٻوليءَ ۾ ڪيترا ئي گيت لکيا آھن،جيڪي سنڌ جي مشھور فنڪارن ثريا سومرو ،استاد الھبچايو ،۽ سنڌ جي نوجوان نسل جو اڀرندڙ آواز آفتاب چانڊيو پڻ ڪيترا ئي گيت ڳايا آھن .

شاعر امتياز ڪنڀر جومشھور گيت :

ڄامشورا ڄامشورا، دل نه چورا منھنجي ،   

  آھيان پرديسيئڙو ، ناھي ڪو ساٿيئڙو  ،  

   اسان جا ماڳ مٽيل، ڪٿي نه روئاري دل ،

ھي گيت خاص ڪري سنڌ يونيورسٽي جا شاگرد تمام گھڻي شوق سان ٻڌندا آھن ۽ ھي گيت نوجوان نسل ۾ تمام گھڻو مقبول ٿيو .

شاعر امتياز ڪنڀر گيت ، غزل ، ڪافي ، ٽيڙو ، بيت ، چوسٽو ، قطو، دوھو ، دوھڙيو، دورائو ، نعت ، نوحا ، سينگار ، وايون ،نظم ، آزاد نظم، جي صنفن تي شاعري ڪئي آھي .

شاعر امتياز ڪنڀر جو جنوري مھيني ۾ پھريون ڪتاب شايع ٿي رھيو آھي .

ان ڪتاب جو نالو آھي (چڱو ورسٽي الوداءَ ) ھيءُ ڪتاب شاعر امتياز ڪنڀر سنڌ ورسٽي جي آخري سال ۾ لکيو. ھن ڪتاب ۾ شاعر سنڌ ورسٽي جي خوبصورتي ۽ من موھيندڙ منظرن کي ھن ڪتاب ۾ قلم جي قوت سان ھميشه ھميشه جي لاءِ قيد ڪري ڇڏيو آھي .                                                                                             شاعر امتياز ڪنڀر جي چوڻ مطابق ته معاشري ۾ سڌار شاعري ذريعي آڻي سگھجي ٿو . ڇو ته اسان جي سنڌ جي نوجوانن جو لاڙو ڏينھون ڏينھن علم ۽ ادب طرف وڌي رھيو آھي .                                                                                                 ھڪ سوال جي جواب ۾ امتياز ڪنڀر صاحب جو چوڻ ھيو ته ڪيسٽ واري دور ۾ شاعرن ۽ فنڪارن کي تمام گھڻي موٽ ملندي ھئي ، ڇاڪاڻ ته ان وقت ڪمپنيون شاعرن ۽ فنڪارن کي پئسا ڏينديون ھيون، ۽ سندن گذران به تمام سٺو ٿيندو ھيو.      پر ھن وقت شاعر پنھنجي گھران پئسا ڀري فنڪارن کان البم ڪرائيندا آھن .  ۽ سرڪار جي طرفان به ڪو جوڳو قدم نه کنيو ويو آھي ،جنھن جي ڪري شاعر ۽ فنڪار پريشانيءَ جو شڪار بڻيل آھن.

سرڪار کي گھرجي ته شاعرن ۽ فنڪارن جي لاءِ ڪي جوڳا قدم کڻي ته جيئن پنھنجي ٻوليءَ ۽ پنھنجي وطن لاءِ پنھنجون خدمتون با آساني سرانجام ڏيندا رھن .

Practical work was carried under supervision of Sir Sohail Sangi

Department of Media and Communication Studies, University of Sindh 

#ImtiazKumbhar #AftabChandio 

Aftab Chandio ھالا ناڪا جي ھوٽلن تي ھلندڙ فلمن جو ٻارن تي اثر

ھالا ناڪا جي ھوٽلن تي ھلندڙ فلمن جو اسڪولي ٻارن تي پوندڙ اثر

ٻار قوم ۽ ملڪ جو مستقبل آھن. ان ڪري ٻارن جي تربيت سٺي  ڪبي ته تڏھن ئي انھن ٻارن مان ملڪ ۽ قوم جي مستقبل جي اميد رکي سگھجي ٿي. پر جيڪڏھن ٻارن جي تربيت سٺي نموني نه ڪئي ويندي  ته اھي ٻار ملڪ ۽ قوم جي برباديء جو سبب بڻجي ويندا آھن .                                                                  

اسلام ۾ ٻارن جي تربيت کي تمام گھڻي اھميت حاصل آھي جنھن جي ڪري  والدين جا درجا بلند ڪيا ويا آھن.  خاص ڪري ماءُ جا درجا بلند ڪيا ويا آھن ڇو ته ٻارن جي بنيادي تربيت ۾ اھم ڪردار ماءُ جو ئي ھوندو آھي ۽ ٻار جي پھرين درسگاھ به ماءُ ئي ھوندي آھي . گھڻو ڪري  والدين پنھنجي اولاد جي باري ۾ اھو سوچيندا آھن ته اسان جي مرڻ کان پوءِ اسان جي اولاد جو ڇا ٿيندو؟. ان ڪري ٻارن جي لاءِ ضروري ملڪيت کي سمجھيو ويندو آھي باقي ٻارن جي ڪردار ، اخلاق ۽ عادتن جي طرف ڪو ڌيان نه ھوندو آھي .  جنھن جي ڪري ٻارن جي تعليم ۽ تربيت تي وڏا اثر پوندا آھن .  ڇاڪاڻ ته ٻار صحيح غلط ۾ فرق نه ڄاڻندا آھن جنھن جي ڪري ٻارن کي جيڪو بھتر لڳندو آھي اھو ئي ڪندا آھن.                                                                     .

روز صبح جو جڏھن والدين پنھنجي ٻارن کي  تيار ڪري خرچي ڏئي اسڪول موڪليندا آھن ته انھن ٻارن جو وڏو انگ اسڪول وڃڻ بدران ھوٽلن تي ويٺا فلمون ڏسندا آھن .  مون جڏھن ھالا ناڪا جي ھوٽلن تي ويھندڙ اسڪولي ٻارن جي رپورٽ تيار ڪئي ته ان ۾ مون کي ڪو به اردو زبان سان وابسطا ٻار اسڪول جي وقت ۾ ھوٽلن تي نظر نه آيو.  تقريبن سنڌي ٻار ھوٽلن تي فلمون ڏسندي ۽ سگريٽ پيئندي نظر آيا . 

  ھوٽلن تي ھلندڙ فلمن ۽ ڊرامن ۾ ڪجھ اھڙا ڪردار يا اھڙا منظر ڏيکاريا ويندا آھن ، جنھن جو ٻارن جي ذھن تي تمام گھڻو غلط  اثر پوي ٿو .                                       اڪثر ڪري فلمن ۾ ڌاڙيل راڄ ، اغوا ، فرون،چوري،اسمگلنگ جا طريقا جيئن مڇيءَ ۾ ھيرون جي سپلاءِ ،ٻاھران پنچر جي دڪان ۽ اندران ھٿيارن جو گودام ، ھٿيار جي زور تي ڪنھن مظلوم سان ذيادتي ڪيئن ڪجي اھو طريقيڪار ، قتل جون وارداتون وارداتن کي لڪائڻ جا پڻ طريقيڪار ٻڌايا ويندا آھن .

جنھن جا ٻارن تي تمام گھڻا غلط اثر پون ٿا، ۽ ٻار خاص ڪري جيڪو ڪجھ ڏسندو ۽ ٻڌندو آھي ان تي عمل ڪندو آھي۽ انھيء ريت ڪرڻ جي ڪوشش پڻ ڪندو آھي .

ڇا اسان ٻارن کي اھڙو ماحول ڏيڻ کان پوءِ به انھن مان ڪا ڀلائيء جي اميد رکي سگھون ٿا ؟ ھرگز نه . ڇاڪاڻ ته جيڪي به ڪجھ ٻار سکندو آھي اھو  ماحول مان ئي  سکندو آھي ان ڪري لازمي آھي ته پنھنجي ٻارن کي سٺي تربيت ڏيون ۽ انھن تي نظرثاني ڪيوته  ڪٿي توھان جوٻار ڪنھن غلط فعلن ۾ ۽ ڪنھن غلط صحبت رکندڙ معاشري جي ماڻھن سان ته تعلق نه پيو وڌائي،اھا والدين جي ذميواري ھوندي آھي ته پنھنجي اولاد تي نظرثاني ڪن ۽ پنھنجي  ٻارن کي غلط صحبت ۽ غلط شين کان پري رکن ، ڇاڪاڻ ته ٻار ملڪ ۽ قوم جو مستقبل ھوندا آھن ،اھي اڳتي ھلي ملڪ ۽ قوم جي خدمت ۽ ملڪ جو نالو روشن ڪندا آھن . زندا قومون پنھنجي ٻارن جي تعليم ۽ تربيت تي تمام گھڻو زور ڏينديون آھن . سنڌ جا  تعليمي ادارا ته اڳ ۾ تباھي جي ور چڙھيل آھن ،سنڌ ۾ اڌ کان وڌيڪ پرائمري  اسڪول بند پيل آھن  يا وري  بنيادي سھولتن کان محروم آھن  جنھن جا وڏا سبب اھي آھن ته سنڌ ۾ وڏيرا شاھي  جاگيرداراري وارو نظام آھي ۽ اھي  وڏيرا جاگيردار پرائمري اسڪولن کي پنھنجا گودام يا مال جا وٿاڻ ٺاھيو ويٺا آھن ۽ سنڌ سرڪار خاموش بت بڻيل ويٺي تماشو ئي ڏسندي رھندي آھي . جنھن جي ڪري سنڌ ۾ تعليمي نظام درھم برھم لڳو پيو آھي . اھا قوم ڪڏھن به ترقي نه ٿي ڪري سگھي جيڪا قوم تعليم جي زيور کان پنھنجي ايندڙ نسلن کي محروم رکي  ۽ انھن جي ايندڙ مستقبل جي لاءِ ڪي جوڳا قدم نه کڻي . ان ڪري والدين کي گھرجي ته پنھنجي اولاد جي ضرورتن کي پورو ڪرڻ سان گڏوگڏ انھن جي تعليم ترتيب تي ڌيان ڏين ته جيئن مستقبل ۾ ملڪ ۽ قوم جي ترقيءَ ۾ ڪردار ادا ڪري سگھن .

#Aftab Chandio، #HallaNaka, #Hyderabad, #VideoFilms

Furqan ali Blog

https://lifeofsindh.wordpress.com/

Practical work was carried under supervision of Sir Sohail Sangi
Department of Media and Communication Studies, University of Sindh

Stroll down memory lane By Mahira Majid

Stroll down memory lane

Some sweet and sour memories with Roshni

By Mahira Majid Ali

While taking admission in the Department of Media and Communication Studies, I thought we will start with practical work as it is all about Media. But the real practical work of journalism started in second year, when we learned how to report and write news stories, feature, article and profile writing by our teacher, Sir Sohail Sangi, a man of his word. At the very beginning of second year, I had no such rapport with him and to be very honest, I was scared of his eyes. However gradually, I got a chance to understand him more. During my first presentation in his class, he stopped me and said your way to present is like a teacher. Are you a “Mastriyani”? His appreciation made my day. Let me say without good rapport learning is not possible. He taught me how to work with team, managerial and leadership skills and face problems in different stages of life. I was a very shy girl in the beginning of my university life and did not like to talk anybody. At that time, he selected me as a coordinator of the practical work of Roshni. He might have seen the girl who was hidden inside me.

Well, the work of Weekly Roshni started in third year, the first and foremost practical work in print media by our department. This work included beat reporting, writing articles, feature, profiles, taking interviews, and proof reading etc. In this way, the work of weekly Roshni continues entire week.

Roshni newspaper is a trilingual newspaper. I remained editor from the very first issue till the last of my batch. Till fifth semester, everything was going smoothly. After that, in sixth semester, the students of M.A-Previous also joined us. That was the time when I learnt how to deal with different troubles as a leader. In Urdu board, editors used to complain about mischief of reporters. Most of the time, they submitted inaccurate news just to get the attendance. Once, a reporter submitted news with some ambiguity and wrong picture was published with the news, the concerned department sent complain letter to our chairperson. On advice of Sir Sangi we apologized and gave them a sorry note. This made us learn that admission and corrigendum are part of ethics in Media.

Performance of Sindhi board improved when the students of M.A previous were added to the editorial board. Still some areas remained problematic.

In English section worked smoothly, as most of the editors and reporters were good and serious in studies. The major problem was the scarcity of English beat reporters, as only a few students opt English medium. Here, I want to share a funny anecdote, once during proof reading, I did not check headline of a news properly and gave it to sir, saying that I have checked it there is not any error. Sir Sangi marked the mistake, removed his glasses, gave me and said to put them on. At that time, I was busted in laugh and remembered his saying that a dog, crow and a journalist never feel insulted. Synonyms

It was a great time working with Roshni. There were hardships,  deceitful tricks  as well as troubles but we all have given our best effort to work with Roshni.

Everyone who worked in Roshni, whether an editor or a reporter, he has different experience and views.

Rebecca Ursani worked as a reporter as well as an editor says, I think both have their own charm. As a reporter you have to dig out news in scorching sunlight but after submitting news you are free. While an editor, no doubt sits in lab but he has to work whole week in editing pasting and proof-reading.

Farhana worked as reporter  complains, most of the times the news were referred back. And the reporters had to go back to the allotted beat department to complete the missing information.

Zain Hyder Shah who worked as editor says, his experience in Roshni has changed his life. In many ways it grew my thinking and writing skills. I learned how to deal with the bunch of people. After working in Roshni, I felt I got an immense grip on the newspaper writing skills. Only it troubled me sometimes when Sir Sohail used to pass his order to write editorial in 2 hours or so. This whole experience brought profoundness in my skills.

According to Rajesh Kumar terms journey of Roshni as fruitful and wonderful. Not only because we learnt basics of print media but also cooperation, team work and motivation with knowledge and courage of teachers as well as fellows.

Saud Worked as editor, says a newspaper which we students normally regarded a minor thing but working with the team  I became aware of the efforts of all the staff of newspaper and the procedures through which a newspaper goes through then I realized its worth.

Well, Roshni has given us many memories, increased our knowledge and experience. Sir Sohail Sangi made us to think like a journalist and work like a journalist.

#MahiraMajid# #SohailSangi# #Roshni# #RebeccaUrsani# #ZainHyderShah# #RajeshKumar# 

Practical work was carried under supervision of Sir Sohail Sangi

Department of Media and Communication Studies, University of Sindh

Article by Rebecca Ursani

Rebecca Ursani
BS-III
Roll number: 2K14/MC/81

Article.
The influence of showbiz and elite class on ordinary people.

The globe is surrounded by collective ideas, opinions and influence of the big leaders and celebrities in the society. The societies and communities adopt ethics and styles from the civilized and modernized communities. This is one of the reasons of constant evolution on Earth.  There are people who lead life without making it complicated then there is a bunch of people who live in the dreams of celebrities who don’t even know about the existence of their fans. The wave of influence carried by elites and celebrities has brought the eagerness in working class families, who are struggling with the modern demands of their new generations. This has put the working class in a choosing situation of giving up their other important demands to fulfill the expanding wishes of their families which they demand in this modernize world.

Evolution has charmed the Homosapiens, but with this it has brought major depression in masses who have to let go on the simplicity and transform their lives which actually has become hard to afford but some families manage by working harder to get more than their basic needs. One has to give all his efforts in order to earn more than what he deserves which is the main reason of frustration due to not getting much relaxation. The frustration in the middle and lower class is eventually growing every day. This increases the hatred among different classes of people but this glamorous charm of wearing the best stuffs and copying the elites has disrupted the absolute simplicity people once had in classic eras.

The modern world is being ruled by showbiz and media. The fact that cannot be ignored is that we, the audience and the ordinary people are letting them taking over our minds.
It is not only about today’s era that has been changed enormously but ever since the television industry has born, the public seems to be obsessed with the celebrities and there is not even one industry for which we can favor is not affecting the audience. Be it about fashion and clothing, imitating the lifestyle of their favorites or copying the dialogues, showbiz has left its impact on every single person in one way or the other.

There was a time when the majority of people were inspired by the writers and political leaders but now the glamour of film industries has engulfed the individual uniqueness of all persons. The public started to copy the famous actor’s style of dressing and hairstyles since 1964 after the invention of black and white televisions in Pakistan. Waheed Murad became the style icon of Pakistan television industry in 1964. Youngsters of mid 60’s era started following his style, also audience considered him as an ideal. We had only two channels PTV and STN, up until about the year 2000. Now there are more than one hundred.Now after the continuous growth in industry the influence of TV stars is also growing in the audience. In the classic time women adapted hairstyles as it is, putting eye liner on fleek and wearing tight shirts and pajamas as per the likeable actresses, while men keeping the shave and wearing bell bottoms. During this period, the impact of showbiz was just limited to fashion and glamour. Eventually, as the years passed and as the media evolved, showbiz and its effects kept growing vast on audience.

Nowadays, celebrities also play a huge role in selling of the products. Product companies sponsor big stars for selling their products so the more beautiful the advertisement is the more products will be sold. Likewise, certain people go crazy after their ideals. They wish they acquire all those things and all that fame that their actors or actresses have. Coquettes of elite stars have gotten so high that the ordinary people also wish to live the same life as theirs due to their show offs on social websites.

The elite class of the nation which includes the feudalists, industrialists and the celebrities who can also be called as tycoons havean amazing livelihood. The comfortable livelihood and big show parties have their unique charms. But the disturbing point is the chauvinism is also engulfing the middle class. The access of modernize technologies has become easy but also it is very expensive. As the demands vary and touch the peak graph it also comes up with some sort of feeling of deprivation in the masses.

In the race of dominancy and standing at first position, the society has somehow lost the worthiest things such as simplicity, the approach of human intelligence in academia and also the kindness. The societies have to understand the basic phenomenon of being happy and that is to live the way you can and to be happy in the livelihood which people can afford, with this understanding only communities can build the kindness not hatred and also with this the more better things can come which can be the reason of betterment in common person’s life.

Practical work was carried under supervision of Sir Sohail Sangi

Department of Media and Communication Studies, University of Sindh 

#showbiz, #RebeccaUrsani, 

writing steps

Roshni schedule

BS-III first semester pieces filed

MA and improver failure topics

MA topics approval

Course outline BS-III 2nd semester

Tentative Course outline BS-III 2nd semester Newspaper Production

FRIDAY, JULY 15, 2016

Four practical writing pieces :1) Investigative Reporting 2) Profile 3) Feature 4) Article, beat Reporting and Editing

Following topics will be covered in lectures

1) Printing process

2) Type setting and fonts

3) Writing editorial

4) Translation

5) Photo journalism

6) Layout

7) Finding story ideas

8) How to Get Press Access

9) How to work on a story

10) Book/ film, TV program review

Attendance 1st semester 2016

Semester: 1st - 2016
Class: BS-MCS  Part-III
Course: All courses taught in the selected class.
Class Count: 117 (Aggregate for all courses.)
Student Name	Percentage
2014/BS-MCS/001 - Abdullah Khan - -	37%
2014/BS-MCS/003 - Ahsan Perviaz Khan - -	31%
2014/BS-MCS/004 - Ahsan Raza - -	3%
2014/BS-MCS/006 - Amin Emmanuel - -	10%
2014/BS-MCS/007 - Anam - -	41%
2014/BS-MCS/008 - Aqeel - -	0%
2014/BS-MCS/009 - Asad-ur-rehman - -	12%
2014/BS-MCS/011 - Asif Ali - -	0%
2014/BS-MCS/016 - Bharat Kumar - -	29%
2014/BS-MCS/017 - Bilal Yousuf Khan - -	12%
2014/BS-MCS/020 - Faizullah - -	0%
2014/BS-MCS/021 - Faqeer Muhammad - -	0%
2014/BS-MCS/022 - Faraz Ahmed - -	23%
2014/BS-MCS/024 - Farhana Naghar - -	73%
2014/BS-MCS/025 - Farukh Hussain - -	0%
2014/BS-MCS/026 - Fatima - -	69%
2014/BS-MCS/027 - Fatima Mustafa - -	66%
2014/BS-MCS/028 - Ghazanfar Ali Alies Nouman Ali - -	33%
2014/BS-MCS/030 - Hammad Zubair Khan - -	32%
2014/BS-MCS/031 - Hamza Hashim Shaikh	17%
2014/BS-MCS/032 - Haresh Kumar - -	0%
2014/BS-MCS/035 - Hasnain Hyder - -	0%
2014/BS-MCS/039 - Jawaid Ahmed - -	46%
2014/BS-MCS/045 - Kishor Kumar - -	2%
2014/BS-MCS/047 - Malik Shahjahan - -	46%
2014/BS-MCS/048 - Mansoor Ali - -	33%
2014/BS-MCS/050 - Maryam - -	73%
2014/BS-MCS/052 - Misbah-ur-ruda - -	77%
2014/BS-MCS/053 - Muhammad Hassan - -	20%
2014/BS-MCS/056 - Muhammad Arslan - -	10%
2014/BS-MCS/057 - Muhammad Bilal Hussain - -	73%
2014/BS-MCS/059 - Muhammad Hassan - -	0%
2014/BS-MCS/060 - Muhammad Hassan - -	0%
2014/BS-MCS/061 - Muhammad Ibrahim - -	0%
2014/BS-MCS/063 - Muhammad Saud Shaikh - -	76%
2014/BS-MCS/066 - Muhammad Waqas Amir - -	56%
2014/BS-MCS/067 - Muhammad Zubair - -	45%
2014/BS-MCS/068 - Muhammad Raheel - -	56%
2014/BS-MCS/069 - Mujahid Hussain - -	0%
2014/BS-MCS/070 - Munawar Ahmed Memon - -	0%
2014/BS-MCS/071 - Nadia Ali - -	0%
2014/BS-MCS/072 - Naveed Ahmed - -	0%
2014/BS-MCS/075 - Noman Meer - -	44%
2014/BS-MCS/077 - Ossama Rafique - -	15%
2014/BS-MCS/078 - Rajesh Kumar - -	87%
2014/BS-MCS/079 - Rameez - -	80%
2014/BS-MCS/080 - Ravi Shankar - -	91%
2014/BS-MCS/081 - Rebecca Ursani - -	77%
2014/BS-MCS/082 - Sabhiya Mansoor - -	30%
2014/BS-MCS/083 - Saddam Hussain - -	0%
2014/BS-MCS/084 - Saira Nasir - -	88%
2014/BS-MCS/085 - Sajid Ali - -	28%
2014/BS-MCS/090 - Shahbaz Shafi - -	3%
2014/BS-MCS/093 - Simra Nasir - -	64%
2014/BS-MCS/095 - Sumaiya Kanwal - -	51%
2014/BS-MCS/096 - Syed Kumail Hussain Rigvi - -	0%
2014/BS-MCS/098 - Tahira Jabeen - -	9%
2014/BS-MCS/099 - Tehniat Khan - -	37%
2014/BS-MCS/102 - Waris Bin Azam - -	50%
2014/BS-MCS/103 - Waseem Aslam - -	0%
2014/BS-MCS/104 - Zian Hyder Shah - -	70%
2014/BS-MCS/105 - Shabia Qazi - -	0%
2014/BS-MCS/107 - Zeeshan Khattak - -	0%
2014/BS-MCS/108 - Zulfiqar Ali - -	62%
2014/BS-MCS/109 - Abdul Hameed - -	74%
2014/BS-MCS/110 - Aizaz Ahmed - -	8%
2014/BS-MCS/111 - Babar Ali Khan - -	17%
2014/BS-MCS/112 - Bilwal Ali - -	2%
2014/BS-MCS/113 - Dawood Ali - -	0%
2014/BS-MCS/114 - Imam Ali - -	79%
2014/BS-MCS/115 - Muhammad Amin - -	94%
2014/BS-MCS/116 - Najeebullah - -	89%
2014/BS-MCS/117 - Pawan - -	33%
2014/BS-MCS/118 - Sadaquat Hussain Kazi - -	54%
2014/BS-MCS/119 - Faryal - -	59%
2014/BS-MCS/120 - Sidra Khalid - -	14%
2014/BS-MCS/121 - Waqar Ahmed - -	0%
2014/BS-MCS/122 - Zoheb Kamal - -	74%
2014/BS-MCS/126 - Ali Aizaz - -	62%
2014/BS-MCS/127 - Ali Asghar - -	69%
2014/BS-MCS/128 - Ali Murtaza Pirzada - -	6%
2014/BS-MCS/129 - Asif Razaque - -	0%
2014/BS-MCS/130 - Ayoob Gham Dil - -	54%
2014/BS-MCS/131 - Azhar Hussain - -	0%
2014/BS-MCS/132 - Bilal Rajput - -	39%
2014/BS-MCS/133 - Ghulam Mustafa - -	0%
2014/BS-MCS/134 - Hassaam Nizam Ansari - -	0%
2014/BS-MCS/135 - Jamshed - -	43%
2014/BS-MCS/136 - Maheen Hassan Khan - -	44%
2014/BS-MCS/137 - Muhammad Hussain - -	55%
2014/BS-MCS/138 - Muhammad Asif Siddiqui - -	0%
2014/BS-MCS/139 - Muhammad Juman - -	0%
2014/BS-MCS/140 - Muhammad Rafay Khan - -	70%
2014/BS-MCS/142 - Mushtaue Ali - -	81%
2014/BS-MCS/143 - Nayab Mamoor - -	0%
2014/BS-MCS/144 - Sarwan Soomar - -	0%
2014/BS-MCS/145 - Shahzaib - -	19%
2014/BS-MCS/146 - Shariq Mehmood - -	9%
2014/BS-MCS/147 - Shahryar Rasheed - -	34%
2014/BS-MCS/148 - Sheeraz Ali - -	1%
2014/BS-MCS/150 - Minhaj-ul-islam - -	47%
2014/BS-MCS/151 - Syed Muhammad Faizan Rizvi - -	0%
2014/BS-MCS/152 - Waleed Zafar - -	5%
2014/BS-MCS/153 - Adnan Ali - -	10%
2014/BS-MCS/154 - Khalid Hussain - -	77%
2014/BS-MCS/155 - Mahira Majid Ali - -	91%
2014/BS-MCS/156 - Mizna - -	68%
2014/BS-MCS/157 - Muhammad Umair - -	0%
2014/BS-MCS/158 - Muhammad Uzair - -	69%
2014/BS-MCS/159 - Mumtaz Ali - -	86%
2014/BS-MCS/160 - Naveed Ahmed - -	71%
2014/BS-MCS/161 - Nawab Ali - -	20%
2014/BS-MCS/162 - Sadam Hussain - -	40%
2014/BS-MCS/163 - Sajjad Ali Lashari - -	81%
2014/BS-MCS/164 - Sehrish Hashmi - -	0%
2014/BS-MCS/165 - Shabia Qazi -	44%
2014/BS-MCS/166 - Sheeraz Ahmed - -	66%
2014/BS-MCS/167 - Syed Safdar Ali - -	0%
2014/BS-MCS/168 - Syed Sermad-ul-hassan - -	0%
2014/BS-MCS/169 - Sana Hashmi - -	0%
2014/BS-MCS/170 - Jawad Ahmd Soomro - -	3%
2014/BS-MCS/171 - Usama Sami - -	19%
2014/BS-MCS/172 - Hoor-e-laiba - -	79%
2014/BS-MCS/173 - Rahil - -	0%
2014/BS-MCS/174 - Kamran Rab - -	78%

Ayoob; The rise and fall of Pakistani music band

 Needs some fine tuning and also contribution of each group (means what unique and new thing) every group introduced

Ayoob Rajpar
Roll no. 2k14/MC/130
Article:
The rise and fall of Pakistani music band

A short introduction of famous Pakistani music groups. From the last three decades, Pakistan music industry has achieved a great place in the world of music. Pakistani singers have get to offer to show their talent and get a more opportunities to work in industry. Pakistan has produced the number of bands in last three decades which are very popular in the region of South Asia, but unfortunately most of those bands could not ran together while everyone have admitted their outclass music compositions and heart touching songs. I am going to elaborate the rise and fall of Pakistani bands which raised in 1980s. A very loveable appreciable and beautiful band formed and renowned as Vital Sign.
The Signs emerged in 1987 as a project of reclusive TV producer, Shoaib Mansoor. Rohail Hayat (synthesisers), Nusrat Hussain (guitar), Shahzad Hassan (bass) and Junaid Jamshed (vocals) were in this band. The band had already made a bit of a name for itself in the time’s ‘college functions’ circuit before it was picked up by Mansoor to record a patriotic song and video in 1987. The song was Dil Dil Pakistan, penned by Mansoor and composed by Nusrat Hussain and Junaid Jamshed. The lyrics express an unabashed love of the country, portraying it as a kind of heaven on earth. Vital signs made a number of rocking and lovely songs including aankho ko aankho ne jo sapna and na tu aaegi na he chain aaega. But time is not affectionate always so far band could not survived more and dismissed their structure and went in box forever. After that, the band raised with the impassioned sign and get fast fame in a heart of public .it was Junoon. It was based on the Trinity structure.
Junoon was first introduced by Salman Ahmed (A formal guitarist) Ali Azmat (vocalist) and Brain (base guitarist). Junoon songs liberally incorporated elements from rock and hard-rock genres and did not shy away from expressing political and social statements. The band’s first album was a commercial flop. Its raunchier sound was still too novel for a nascent pop scene. Junoon’s music increasingly fused riff-friendly rock chops with funky renditions of Punjabi folk and traditional Sufi music; and the lyrics occasionally ventured into commenting on the state of the country and society.

This gradually began to gather a steady and passionate cult following for the band. The group’s growing reputation as a crackling live act helped too, especially when bassist Brian O’Connell came in for Nusrat and veteran drummer, Malcom Gomes, became a mainstay in the band. Junoon responded with Inquilaab in 1996 (the band’s third album). It was another energetic package of catchy off-the-wall riffs and racy vocals weaved around rudiments of Punjabi folk and bhangra music genres. To round off the album, the band (as if on a whim), decided to also record and add a pop anthem to the album – a style that was still popular after the initial release of Dil Dil Pakistan in 1987. So, out came Jazba Junoon, a song that musically sounded like one of those upbeat Latino songs of early Santana, and punctuated with patriotic and uplifting lyrics inspired by the writings of South Asian philosopher and poet, Mohammad Iqbal. 2004 was the last and final period for Junoon. Each member left the band and worked individually in their fields.

Another Pakistani classical musical band is fusion. It is a Sufi rock band from Karachi, Sindh, Pakistan formed in 2001. The name was derived from fusion, as the former vocalist Shafqat Amanat Ali describes the band as a fusion of Hindustani classical and modern soft rock music blended with the Sufi Style of singing. The Fuzön art insists on setting feelings above mere technique and creating an individualistic genre of mold-breaking music. Fuzön encompasses hybrid styles of exquisite melodies and everlasting pop or rock instrumentation. Fusion won the hearts of people not only on the domestic level but beyond the border lines. A great problem which fusion faced was, the changing of vocalist. First, Shafqat was honour of this band and lead vocalist but then he left the band and worked individually. It was a huge shock which damaged fusion's structure.
Then Shafqat was replaced by the Rameez Mukhtiar, a professional vocalist and multi instrumental player. Rameez and his fellows (the band) made an album journey which was so impressive. Neend na aaey, the famous song of that album which was on aired on television and fm the most. After 2011, Rameez left fusion and focused on his single projects. After Rameez, Khurram Iqbal joined the band and he is working with the band still but they did not gave any great album yet as Shafqat did.

Now, I am coming to talk on the most famous and heart winner Pakistani rock band which one is known as Jal. Soon afterwards, the band started to gain popularity in Lahore's underground music scene and gained a large cult following due to the success of their song "Aadat".

The band, then went on to release the music video for the song, directed by Umer Anwar, through ARY Digital and The Musik channel, in December 2003. The video was soon rated as the fourth best video of the year 2003 by ARY The Muzik, within days of its release. However, by the end of December, in 2003, Atif parted ways with the band due musical differences, with lead guitarist Goher Mumtaz, to pursue a career as a solo artist. This led Goher recruit musicians Farhan Saeed on vocals and Aamir Sheraz on bass guitar. Farhan was suggested by Sultan Raja, bassist of Call, who introduced him to Goher and thus joining the band as its vocalist. By this time the band, with a new line-up, re-did the song "Aadat" as its video was already being aired on local music channels with the former lead vocalist, Atif Aslam’s voice. But in nutshell Atif Aslam was replaced by the Farhan Saeed in 2003.

Jal's performance was fabulous. But after some years Farhan left the band and Gohar Mumtaz ran the band himself. It was the short introduction of the famous Pakistani music bands which got the success on peak but not survived more.

Practical work was carried under supervision of Sir Sohail Sangi
Department of Media and Communication Studies, University of Sindh 

#AyoobRajpar, #PakistaniMusic, #MusicBand, #GoharMumtaz, #AamirSheraz,  #RohailHayat, 

سوشل ميڊيا معاشري لاءِ خطرناڪ ثابت ٿي رهي آهي

 سوشل ميڊيا معاشري لاءِ خطرناڪ ثابت ٿي رهي آهي

اسان جڏهن 20 سال پوئتي نظر وجهنداسين تـ اسان کي نظر ايندو تـ هر هڪ شخص پهنجو وقت ڪتابن ، اخبارن ۽رسالن کي ڏيندو هئو پر هاڻي سمارٽ فون ۾ موجود سوشل سائيٽس تي غير ضروري سرگرمين ۾ مصروف رهي ٿو. جهازن ۽ انتظار گاهن ۾ ويٺل ماڻهو ڪنهن ڪتاب ۾ مطالعو ڪندي ڏسبو هو۽ لائيبريري هر هڪ گهر جو حصو هئي هر ٻئي شخص وٽ گھٽ ۾ گھٽ  هڪ  ڪتاب هوندو هوجنهن جو هو انتظار گاھ يا سفر دوران مطالعو ڪندو هو اسپتالن ۽ ٻين جاين تي ڪتاب پيا  هوندا هئا جيڪي اتي ويٺل ماڻهو پڙهندي نظر ايندا هئا. پر اڄ جي دور ۾ سمارٽ  فون ماڻهڻ جي هٿ مان ڪتاب کسي ڇڏيا آهن سمارت فون ۾ جديد ٽيڪنالوجي سان گڏ هر سهولت موجود آهي جيڪا نوجوان ظوڙي بزرگن ۽ ٻارن جي دلچسپي جو سبب بڻيل آهي. اڄ ڪلھ گهر ۾ ماني تيار نـ بـ ٿيل هوندي تـ ٻار ماٺ ڪري انتظار ڪندا آهن پر وائي فائي  ۾ خلل هوندي تـ گهر سر تي کڻي ڇڏيندا آهن. انهي سمارٽ فون جي بدولت معلومات جي فراهمي ۽ سوشل ميڊيا جو استعمال وڌي ويو آهي پر جتي هن جامثبت پهلو آهن اتي هن جي منفي اثرن کي نظر انداز نٿو ڪري سگھجي.

ٻين وٽان ملندڙ معلومات کي اڳتي پهچائڻ ۾ صرف هڪ بٽڻ کي دٻائڻو پوي ٿو معلومات صحيح هجي يا غلط ڪير بـ ان تي توجه نـ ڏيندو آهي.

سوشل ميڊيا ذريعي صحت سماجي مسئلن ۽ ٻين جي باري ۾ تمام گھڻي معلومات پکڙجي رهي آهي جيڪا افسوس جهڙي ڳالھ آهي ڪيترائي پڙهيل لکيل ماڻهو بـ اها غلط معلومات پکيڙڻ ۾ شامل آهن وقت جي قلت ڪري ڪير بـ اهو نـ سوچيندو آهي تـ معلومات صحيح آهي يا غلط . هي اهو دور آهي جتي ڪو بـ شخص ميڊيا کان لاتعلق رهي نٿو سگھي . جتي ميڊيا جي فائدن بابت نظر وجھجي تـ ميڊيا عوام کي زندگي جي سڀني شعبن بابت تمام گھڻي معلومات پهچائي ٿي دنيا جي ڪنهن بـ ڪنڊ ۾ جيڪي ڪجھ ٿئي ٿو اهو سڄي دنيا ۾ چنڊ سيڪنڊن ۾ پکڙجي وڃي ٿو۽ زمين تي موجود هر شخص دنيا جي هر ڪنڊ ۾ ٿيندڙ وقعن کان وقف ٿي ٿو وڃي جڏهن تـ ماضي ۾ اهي ڳالهيون پهچڻ ۾ تمام گھڻو وقت لڳندو هو. ميڊيا جي ڪري عوام کي سياست ، ِصحت ، تعليم ،راندين ، سماجي مسئلن مطلب تـ هر هڪ شعبي جي باري ۾ نئين نئين معلومات وڏي آساني سان ملي ويندي آهي جيڪو ميڊيا جو اهم ۽ مثبت ڪردار آهي پر تصوير جا هميشه ٻـ پهلو هوندا آهن تـ ان جو بيو رخ بـ آهي ان حلت ۾ ميڊيا پهنجي ذميداري جو مظاهرو نـ ڪندي آهي ۽ ڪڏهن ڪڏهن غلط معلومات پکيڙڻ جو ذ ريعو بـ بڻبي آهي. سوين اخبارون ۽ ٽي وي چئنلس جي موجودگي ۾ نشر و اشاعت جا تمام ٿورڙا ادارا آهڙا آهن جن جي م،علومات مستد ۽ قبلِ اعتبار آهي.

ميڊيا ۾ تـ اهڙا ماڻهو بـ ضرور هوندا آهن جن جي اها ذميواري هوندي آهي تـ اهي خبرن ۽ معلومات جي تصديق ڪري پوءِ جاري ڪندا آهن. پر سوشل ميڊيا بي لغام حوڙي وانگر آهي جنهن جي معلومات خبرون ۽ ٻيو مواد بغير ڪنهن تصديق جي وائرس وانگر ڦيلجي ويندو آهي جنهن جي ڪو بـ تصديق ۽ تحقيق جي ذحمت نـ ڪندو آهي.

ڪجھ ڏينهن  پهرين مون سوشل ميڊيا تي هڪ پوسٽ پڙهي جيڪا هڪ معزز استاد شيئر ڪئي هئي ان ۾ لکيل هو تـ رات جو 12 بجي کان پوءِ موبائيل بند ڪري ڇڏيو ڇو تـ خلاءِ مان هڪ خطرناڪ قسم جي تابڪاري ۽ ٻيون لهرون زمين طرف اچي رهيون آهن جيڪي موبائيل فون ذريعي انسان کي نقصان پهچائينديون. مون محترم استاد جو اهو پيغام پڙهي انهي ڳالھ جي تصديق ڪئي ۽ معلوم ٿيو تـ ان ڳالھ ۾ ڪا سچائي نـ هئي، پهمجي استاد کي انهي بابت آگاھ ڪيم تـ هن اهو تسليم ڪيو تـ هن بغير ڪنهن تصديق جي پيغام کي اڳتي روانو ڪري ڇڏيو آهي بهر حال ڪيترن ئي ماڻهن تي ان جو غلط اثر پيو هوندو ان ڳالھ جو ڪو بـ تدارڪ ممڪن ناهي . انهي نوعيت جا ٻيا بـ ڪيترائي پيغام اطلاع۽ معلومات روزانو گردش ڪندا رهن ٿا جن کي ماڻهو بغير ڪنهن تصديق جي شيئر ڪندا رهن ٿا ڪٿي ڪا پاڻ مرادو ڪهاڻي پيش ڪئي ويندي آهي تـ ڪٿي وري ڪنهن ايجاد جي باري ۾ ٻڌايو ويندو آهي تـ ڪٿي وري وائرس اچڻ جا اطلاع ڏنا ويندا آهن .

ان کان سواءِ هڪ خطرناڪ روايت ٻ نڪري  وئي آهي تـ صحت جي باري ۾ غلط معلومات پکيڙي پئي وڃي اهڙن پيغامن ۾ شگر هاءِ بلڊ پريشر ڪينسر ۽ بين موضي مرضن جو ڪو بـ مستعل علاج موجود نـ آهي جنهن ڪري ڪنهن بـ ڏنل غلط معلومات جي بنياد تي ڪو مريض بـ عمل ڪري پهنجي صحت اڃا نـ خراب ڪري سگھي ٿو. سوشل ميڊيا ذريعي هن قسم جي معلومات پکيڙڻ ۽ ماڻهن جي صحت سان کيڏڻ بند ڪيو وڃي .

آئون وڌيڪ تعجب ۾ پئجي ويس جڏهن هڪ معزز معاشري جي سماجي شخصيت جنهن کي  سوشل ميڊيا تي گھڻا ماڻهو فالو ڪندا آهن ان شوگر جي علاج جي لاءِ ديسي ڪڪڙ جي بِيضن کي لوڻ ۾ ملائي کائڻ جو مشورو ڏنو ڪيترن ئي ماڻهن ان جي معلومات کي ٻين سان شيئر ڪيو اهڙا معزز دانشور استاد معاشري جي رهنمائي ڪندا آهن پر جڏهن اهي ئي ان قسم جي معلومات کي پکيڙڻ جي ڪوشش ڪنداآهن تـ اسان کي تمام گھڻو افسوس ۽ ڏک ٿيندو آهي . سائنس جو هڪ عام شاگرد بـ اهو سمجهي ٿو تـ شوگر جو تعلق جسم ۾ موجود کنڊ جي ميٽابوليزم سان آهي جنهن جي لاءِ انسولين يا شوگر جي ٻين دوائن سان ئي علاج ممڪن آهي بيضا ۽ لوڻ کائڻ سان تـ شوگر جو مرض اڃا بـ وڌي سگھي ٿو ڇا ڪاڻ تڱ شوگر جا گھڻا مريض بلڊپريشر ۽ رت ۾ ڪولسٽرول گھڻائي وارن مسئلن جو شڪار هوندا آهن تـ لوڻ ۽ بيضا انهن ٻنهي بيمارين کي وڌائڻ جو سبب بڻبا آهن. اهو ڪم ڊاڪٽر يا معالج جو آهي ان کي ئي ڪرڻ ڏجي.

سوشل ميڊيا استعمال ڪندڙ انهي حقيقت کان بخوبي واقف آهن تـ اج جي دور ۾ معلومات باھ ونگر پکڙبي آهي. ان ڪري اسان کي پهنجي ذميداري سان تحقيق ۽ تصديق ڪرڻ بعد ئي سوشل ميڊيا تي معلومات شيئر ۽ لائيڪ ڪرڻ گھرجي پر اها اسن سڀني جي ذميواري آهي تـ سوشل ميڊيا استعمال ڪندِڙن کي پڻ اها صلاح ڏيون تـ ڪا بـ معلومات بغير سوچڻ سمجھڻ جي شيئر نـ ڪرڻ گهرجي ممڪن آهي تـ اسان جي اها ڪوشش ڪامياب ٿئي انهي صورتحال جو تدارڪ ڪرڻ جي ڪوشش ڪرڻ اسان سڀني ذميواري آهي ممڪن آهي تـ اسان غلط معلومات جي پکيڙ کي روڪڻ ۾ ڪامياب وڃون جنهن جي ڪري گھٽ ۾ گھٽ انساني صحت سان کيڏڻ جو سلسلو گھٽجي سگهي ٿو.

سوشل ميڊيا زندگي جي حقيَقي رشتن درميان ڇڪتاڻ ۾ اضافي جو سبب پڻ بڻجي رهي آهي ان جي ڪري رشتن تان اعتماد کڄي وڃڻ جا امڪان پيدا ٿي رهيا آهن هڪ بئي تان ويساھ کڄي رويا آهن ۽ روئين ۾ پهنجائپ وارو رجحان ختم ٿي ويو آهي. گذريل ڪجھ عرصي کان سوشل ميڊيا اهڙا مسئلا پيدا ڪرڻ جو هڪ وڏو سبب بڻجي سامهون اچي رهي آهي. پهنجي ساٿي کي نظر نداز ڪري ٽيوٽر ، واٽس ايپ ، فيس بڪ ، تي مصروف رهڻ جي عادت جي ڪري ڪيترا ئي جوڙا هڪ ٻئي کان عليحدگي اختيار ڪري چڪا آهن .

سنڌ ۾ ڪافي اهڙا طلاق جا ڪيس ڏسڻ ۾ آيا آهن جن جو سبب سوشل ميڊيا آهي. هڪ رپورٽ مطابق طلاق جي 10 ڪيسن ۾ 6 ڪيس اهڙا هوندا آهن جن جو سبب انٽرنيٽ جو استعمال آهي.

عورت ڪائونسلر شهلا زيدي جو چوڻ آهي تـ گزريل 3 مهينن دوران عدالت ۾ آيل 42 ڪيس اهڙا هئا جن جي عليحدگي جو سبب صرف ۽ صرف سوشل ميڊيا آهي.

نفسياتي ماهرن جو اهو بـ چوڻ آهي تـ جڏهن ڪو شخص گھڻو وقت سوشل ميڊيا تي گذاريندو آهي تـ ان جا اثر حقيقي رشتن تي پوندا آهن جيڪو هڪ فطري عمل آهي خاندان ۾ هڪ ٻئي جي تعريف نـ ڪري رهيا آهن نـ وري پهنجي خانداني ماڻهن جي خيالن کي ڪا اهميت ڏئي رهيا آهن . هاڻي سوشل سائيٽس تي تصوير ۽ ڪمينتس پوسٽ ڪري ماڻهو پهنجون خوشيون تلاش ڪري رهيا آهن. اڄ ڪلجتي سوشل ميڊيا جي ڪري دنيا ڳنڍجي وئي آهي تـ اتي ان جا نقصان بـ نظرانداز نٿا ڪري سگھجن . اسان سڀني کي اها ڪوشش ڪرڻ گھرجي تـ سوشل ميڊيا جي استعمال وقت ان جي منفي اثرن کان پري رهون ڪا بـ ڳالھ شيئر ڪرڻ کان پهرين ان جي تصديق ڪريون تـ اها صحيح آهي يا غلط ائين اکيون پوري ڪو پيغام يا معلومات ٻي طرف رواني ڪرڻ سماجي معاشي نقصان آهن ان سان انسان جي صحت تي ب خراب اثر پون ٿا جن کي روڪڻ جي اڄڪلھ تمام گھني ضرورت آهي .

#SocialMedia, #Rameez

#رميز, #سوشل_ميڊيا,